Winter Issue 34: Out Now

Issue 34 Peppermint

A favourite pair of jeans, the perfect slouchy jumper, that beautiful dress for a special occasion – clothes help us express ourselves and tell the world who we are. But they also have their own stories: those of the farmers, the sewers, the cutters, the makers, and of the impact each garment has on these people and on the planet. In our new Winter Issue 34 we discuss the business of ethical fashion with organisations around the world – including Fairtade, GOTS and the Ethical Fashion Forum – that are helping brands do better. We interview eco fashion influencers about their beliefs, consumption habits and how they cultivate their own wardrobes, and we hear from our covergirl Lis Harvey from Nico Underwear about building a sustainable underwear brand with a conscience.

Ethical fashion – Issue 34 Peppermint

Elsewhere there’s a look at Australia’s wasteful obsession with disposable coffee cups, a guide to the Japanese art of fabric gift-wrapping (furoshiki), healthy broths and wholefoods at Sydney’s Broth Bar & Kitchen, a chat with Quandamooka artist Elisa Jane Carmichael and an interview with yoga teacher and environmental activist Amy Ippoliti. Plus you’ll find green cleaning tips, an eco guide to Phillip Island, a peek inside Etsy’s sustainable headquarters, a cosy winter cardi sewing pattern and lots more. Grab a blanket, cosy up and enjoy – it’s sure to warm your heart.

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Amy Ippoliti – Issue 34

Issue 34 Furoshiki

Issue 34 The Farm Byron Bay

Issue 34 – Etsy headquarters

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As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
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We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
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Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
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Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
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Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
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Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
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'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿