Power to the people

"Community Trade is part of the DNA of The Body Shop and ... a prime example of how we can challenge industry norms,” Will Stephens, head of sustainable sourcing, says.

Back in the 80s, the notion that business could be a force for good was pretty revolutionary. Most companies were more obsessed with their bottom line than ensuring the people who made their product’s ingredients were well-paid, working in humane conditions and using methods that sustained rather than ruined their land.

So when The Body Shop founder Anita Roddick created Community Trade (then known as Trade Not Aid) in February 1987 as a way of empowering people with a hand-up rather than a handout, some thought her a little odd.

Three decades on, that same program now partners with more than 20,000 producers worldwide, ensuring fair working conditions while promising a cut of profits to communities in need. That’s helped pay for healthcare centres, wells, hygiene stations and 50 schools while assisting in the preservation of 8,000 hectares of rainforest. “Community Trade is part of the DNA of The Body Shop and … a prime example of how we can challenge industry norms,” Will Stephens, head of sustainable sourcing, says.

Community Trade is part of the DNA of The Body Shop and … a prime example of how we can challenge industry norms.

As The Body Shop (which was acquired by L’Oréal in 2006) celebrates the program’s 30 year anniversary, it’s added four new ingredients to the Community Trade roster – bringing the total to 23. That includes new almond oil from the Alicante region of Spain, banana puree from Ecuador, British rose essence sourced organically from Herefordshire in England and mango seed oil from India. The grand plan is to double the entire program by 2020 and, by sourcing 40 ingredients under Community Trade, The Body Shop will help up to 40,000 economically vulnerable people access work around the world. A force for good indeed!

—————————————

WORDS: KOREN HELBIG

You might also like

JOIN OUR MAILING LIST

Brighten up your inbox with our not-too-frequent emails featuring Peppermint-related news, events, competitions and more!

explore

More articles

Handcrafted on the NSW North Coast, Ruco Paints brings sustainability and artistry together through vegan paints, refillable ceramic pots and small-batch colour runs. Founder Marlena Taylor shares why ‘living a making’ matters.
Fancy an intentional refresh of the knicknacks and heirlooms you surround yourself with, at home or in your shopfront? The Life Instyle team share their insights about the design shifts, materials and values-led brands shaping what’s next and best.
The loss of a furry bestie cuts deep, as our Founding Editor-in-chief Kelley Sheenan knows. In Issue 64, Kelley wrote about the lessons they leave us, from dealing with fascists, napping, and the power of setting – and keeping – boundaries.
Putting together our annual Stitch Up brings on all the feels! We feel humbled that you’ve chosen to sew Peppermint patterns, we feel inspired by the versions you’ve created and we feel proud of you.

Look, I don’t want to make anyone panic but IT’S DECEMBER!!! If you’re planning to give homemade gifts, you’re going to have to act fast. …

For Noosa-based designer and upcycler extraordinaire Jaharn Quinn, the perfect holiday had to tap into her obsession with timeless, elevated and sustainable slow design. Enter Eurail and a grand European adventure!

Hang out with us on Instagram

As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
⁠
We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
⁠
Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
⁠
Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
⁠
Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
⁠
Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
⁠
'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿