MBFWA: Akira

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Akira presented a magical showcase on the last day of Fashion Week. And what a way to end a wonderful week! On show at the Box, models stood on low plinths surrounded by scattered lace and silk petals. A subtle soundtrack of twittering birds set a serene and ambient scene; a pleasant escape from the churning Fashion Week outside.

Akira personally led each model out, making sure they were presented precisely as he had envisioned. He mentioned thinking of “paradise” while designing his latest collection, and while this might sound like quite an ambitious theme, he gracefully succeeded in its execution. Three distinct collections were on display, the first being a bridal range. Elegant gowns were intricately adorned with embroidery and applique scattered in floral and whispy skyscapes. Cloud-like contorted fabric floated as headpieces, framing the models’ faces.

The second range hinted at Akira’s beginnings with Japanese-inspired prints, origami folds and layered patterns draped into simple silhouettes. The last plinth featured an array of colours. Intricate Shibori dresses were complimented with neckpieces reminiscent of glorious sea creatures. The attention to detail and ability to create such dramatic yet soft structures proved Akira is truly one of Australia’s fashion geniuses.

Akira’s return to Sydney fashion week was refreshing. As many designers are now relying more and more on digital printing, handcrafted details are featured less. Guests of Akira’s show stood in awe of the high level of skill involved in creating these outfits. Admiring the magnificent work involved from afar, I can only imagine truly feeling as though you had your own slice of utopia wearing one of these garments.

In an age overcome with fast fashion and new technologies, now more than ever we need to celebrate designers who still place importance on the slow and intimate processes involved in creating something truly unique and beautiful.

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As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
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We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
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Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
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Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
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Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
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Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
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'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿