Fashion Less Waste 2012

Fashion Less Waste

Remote controls and shopping trolleys may not seem the most obvious materials of choice when designing a dress, but for this year’s Fashion Less Waste competition, out-of-the-box ideas were exactly the right train of thought for contestants. For the third year running, the Australian Museum invited fashion innovators to create wearable art out of materials destined for waste. This years theme, Deep Oceans, inspired designers to recreate some of the mysterious animals lurking in the depths of our oceans, in an effort to highlight the beauty of nature and the impact of trash and pollution on sea habitats. Fluorescent fish and elegant squids were amongst the weird and wonderful creations that designers conjured up in ingenious ways; cds became luminous scales, bath matts became tentacles and fan covers became hats… Of course!

Fashion Less Waste’s 20 finalists had the opportunity to showcase their creations at the Museum for an evening parade where judges Akira Isogawa, Louise Olsen (Dinosaur Designs founder), Peppermint‘s very own editor Kelley Sheenen and yours truly had the very tough job of deciding the winning entries. With such a high calibre of garments on display, the competition came down to each contestant’s originality, design, materials and style. From the open category Joseph Mashett took first place after successfully turning recycled TV remotes into a sweeping asymmetrical dress. The secondary section was taken out by Tess Tavener Hanks who wowed us with her bright jellyfish ensemble. Annelyse Lumley and Stephanie Powell were runners up in the open, and Bonita Poppy Alexander and Rebecca Lee for the secondary school category.

All six designers will have their outfits displayed at the Australian Museum between September and October, as well as at the Strand in August and the North Sydney Council Coal Loader exhibition centre during October and November. There are plenty of opportunities to see these creations in the flesh – and  I guarantee you will second guess those mundane objects lying around your house after this!

 

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As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
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We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
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Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
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Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
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Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
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Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
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'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿