Creativity and Culture: Museum of Brisbane’s Walking Art Tour

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Time-travelling lungfish floating in a mosaic of glass tiles, a four-breasted female empowerment goddess cast in bronze, and a striking botanical sculpture spanning 15 metres, showcasing the cultural misrepresentation of Aboriginal people… These are just a few of the art installations that can be sighted on the Museum of Brisbane’s Queen’s Wharf Brisbane Precinct Public Art Tour. I’ve been intrigued about the new riverfront entertainment precinct and the art that now adorns the landscape, and so I jumped at the chance when an invitation dropped to join the guided walking tour. 

PHOTOS: KELLEY SHEENAN

ABOVE: LINDY LEE BEING SWALLOWED BY THE MILKY WAY

Admittedly, going into the city, much less the new Star Casino, is not generally high on my list of priorities. So I was happily surprised to discover the recently redeveloped public area around the Queens Wharf precinct sports a multitude of artworks and sculptures conveying cultural, historical, social, environmental and Indigenous storytelling nestled in the landscaped urban and riverside green spaces. The 90-minute tour is presented by an expert Museum of Brisbane tour guide and ‘explores the intersection of art, history, landscape and identity’, showcasing works by First Nations, Queensland and international artists alongside historical buildings and landmarks. Shout out to our knowledgeable guide Revy, who I could have listened to all day!

TOP: (L) JUSTENE WILLIAMS SHEILA (R) MR WANAMBI DESTINY (MIDDLE) SAMUEL TUPOU LUNGFISH DREAMZ
(BELOW L) JOHN ELLIOT NEVILLE BONNER (BELOW R) TONY ALBERT INHABITANT

It was a lovely way to explore my own backyard and learn more about the history of the Meanjin lands that I live on. The spectacular artworks that now dot the revived public walkways invite you to experience the area with fresh eyes. The short (and accessible) wander around the iconic site had us taking in Lindy Lee’s star-spangled Being Swallowed by the Milky Way, Justene Williams’ gigantic four-breasted Sheila, the aluminium baking tray figure Looking Up by Tom Friedman and contemporary Indigenous artist Tony Albert’s botanical creation Inhabitant, amongst many other important works. “Brisbane is a part of my heart, and I am so grateful to have been able to work with the local community to present this work,” Tony Albert says of the piece. “It is wonderful to see a growing number of Indigenous indicators in public spaces. We need aspirations for our First Nations children to be visibly seen as a part of our landscape.”

It is wonderful to see a growing number of Indigenous indicators in public spaces

Book a tour here for a boost of creativity and culture!


THANKS TO VISIT BRISBANE FOR THE INVITE!

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As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
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We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
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Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
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Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
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Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
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Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
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'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿