National Indigenous Art Fair: Here’s An Event Sydneysiders Won’t Want To Miss

Peppermint NIAF 2

If you’re a Sydneysider with a wall in need of a glow-up (or a fabric stash in need of something special), then you’re in luck because the National Indigenous Art Fair (NIAF) is heading to town this month (29 and 30 June 2024). Held on Gadigal land, at the Overseas Passenger Terminal in Warrane (Sydney Cove), this annual event is your chance to peruse prints, textiles, ceramics and jewellery from all over the country – and to purchase directly from the artists.

above NICK LAWRENCE, DESTINATION NSW

above (left and centre) NICK LAWRENCE, DESTINATION NSW

The weekend also happens to be packed with arty workshops that will have you painting and weaving alongside masters of the craft. Plus, all profits go to remote, community-owned art centres and their artists, ensuring these skills are passed on. Says Peter Cooley, CEO of event organiser First Hand Solutions: “The National Indigenous Art Fair is a unique opportunity for these art centres, which are often economically excluded, to showcase, celebrate and sell their art in Sydney.” 

Beyond the dollars, Peter says the fair is important for bridging the urban and non-urban divide. “Many Australians haven’t had the opportunity to connect with Indigenous people and culture, further challenged by the geographic divide between our remote communities and cities on the east coast. NIAF breaks down these barriers, building pride in culture and amplifying the voice of remote communities.”


above (from left) MARY DHAPALANY FROM BULA’BULA ARTS, POSSUM SKIN WRISTBANDS, THEO (FAYE) NANGALA HUDSON FROM WARLUKURLANGU ARTISTS

Our advice? Book a spot in the ochre-on-paper workshop, where you’ll get a chance to learn the painting techniques of West Arnhem Land, taught by Kunwinjku artists from Injalak Arts Centre. There’s also communal weaving to be done, a bush food cooking demo and live music by the Stiff Gins and Microwave Jenny. 

For little artists, there’s sand painting and a Torres Strait Island dance workshop. Plus, artist and storyteller Amanda Reynolds (Guringai) will lead kids’ wristband-making workshops using offcuts from possum pelts, shells and recycled fibres. They’re traditionally gifted as a token of friendship and connection among people living in what is now Sydney and the South Coast.


above (left and right) BASKET WEAVING AT NUMBULWAR NUMBURINDI ARTS (centre) FAITH BUTLER IN TJUKURLA, PHOTOGRAPHED BY ROSIE FRECHEVILLE

Another highlight is The Living Room, an installation curated by Paper Dolls actress Miah Madden (Gadigal and Bundjalung). Filled with Indigenous-designed furniture, textiles and homewares, Miah’s showroom takes Indigenous art beyond the walls of a gallery and brings it into the home.


THIS ARTICLE WAS CREATED IN PARTNERSHIP WITH OUR GOOD FRIENDS AT THE NATIONAL INDIGENOUS ART FAIR. THE EVENT RUNS 29 AND 30 JUNE 2024 AT THE OVERSEAS PASSENGER TERMINAL IN WARRANE (SYDNEY COVE). FAIR ENTRY IS $2.50 (FREE FOR CHILDREN UNDER FIVE). TO BOOK A WORKSHOP OR FOR A LIST OF PARTICIPATING ART CENTRES, GO TO niaf.com.au

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As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
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We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
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Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
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Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
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Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
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Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
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'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿